Saturday, 21 April 2012

Recent Reads


Way back though the mists of time, mere months or weeks before I began working on the Jock, I had the chance to visit the 2000AD office and get some feedback on my work. I'm bloody embarrassed to think what shite I took up there but I'll always be thankful for the time Steve macManus took to sit and talk with me and show me the office.

I mention that as recently I picked up ThrillPower Overloa, the history of 2000Ad (up til about 5 years ago). The books not perfect: a few typos, lack of details about what some series' premises were and ignorant ways of introducing artists in the text. You get lines like "The strip was drawn by Ewins and Dillon", but their first names aren't always included. matters are made worse when Colin McNeil receives a brief write up where some people don't even get full name checks.

However, the book remains on of the most fascinating books on comics that I've ever read. This charts more than just the history of the comic but the editorial, publishing and management issues that have cropped up along the way. Numerous editors, creators and mangement staff all contribute, illuminating the back stage struggles, triumphs, peaks and troughs of the comic. It actually made me want to pick up an issue of 2000Ad again, and as the new Dark Tower book is out this week, maybe I will do just that at the same time...

Talking of literary returns, I sampled the first issue of Brian K Vaughan's new series saga. I was a big fan of Y: The Last man and Ex Machina (still not sure about the finale to that though) and really enjoyed Vaughan's work on Dr Strange and Pride of Baghdad (though surprisingly, I detested everything about his Cyclops mini series drawn by Mark Texeira). Saga is kind of but not quite Romeo and Juliet in space: two people from different planets fall in love amidst a sprawling interplanetary and struggle to raise their newborn child, who narrates the story from years later.

As expected, the dialogue immediately sucks you in and brings the characters alive befire introducing the other elements in the story. There are a few conceptual mistakes: a credit card and a scene where a character is complaining about an app for his PDA phone thingie reflect the current world too much and thow you out of the setting but generally the story cracks along, is unpredictable, intriguing anf portentous.

The art...hmmm. Fiona Staples' cover is gorgeous but I'm less convinced by the interiors: great faces, some stunning pages...but also some slapdash linework that show up the shortcomings of drawing digitally, even though the colours are great. I initially wasn't keen on the art on Y and came to appreciate it by the end so hopefully, something similar will happen here. I rarely buy monthly comics now as I tend to follow artists now rather than characters or series (as they've pretty much been cocked up by marketing/editorial -led distates rather than allowing any creators to have any personal voice) but I will definitely pick up the first trade of Saga and hopes it lives up to the promise shown in the first issue...

Sunday, 15 April 2012

Sunday Art


Amazingly, managed to pencil and ink a whole page today. As hard as the last page was, this was easy: despite crapping out pens (hence probs with the previous page: shall have to crack open the new ones soon), this went really smoothly.

It's not perfect: the crappy nibs meant less control but perhaps the clunkier linework will help the finished art as most clear line art tends to use a thicker line, which I tend to avoid.

The panels here aren't finished: they need tones adding and then another character inserted, interesting experiment that may crap out in the end...

Also above is a pic pencilled last week, inked yesterday and coloured today...

Saturday, 14 April 2012

Scarlet Diva


I've only read the first issue of Martin Eden's soon-to-collected Spandex series but really like the look of Diva so fancied taking a shot at her, so here are the results...

Monday, 9 April 2012

Comic Books On The Ration


Yeah, I've nicked another blog's title as this post title but I enjoy that site and thought I'd carry the fun over here.

Last weekend, Tone and I visited memorabilia in Birmingham, which was fairly cool. Thankfully there wasn't too much that tempted me (I resisted the urge to pick up the animated Justice League-style JSA, Doom Patrol and Animal Man & Adam Strange figures, as I am partial to that range) but did find a stall dealing in European graphic albums.

At first, I was NOT impressed: I've been getting into the work of Vittorio Giardino after stumbling upon an old 80s reprint of his work in the new Gosh shop a few months ago. I can't seem to find affordable copies of the A Jew In Communist Prague trilogy but have managed to pick up some other work and recently paid £15 plus postage for Hungarian Rhapsody. That was a bargain price for the 1930s-set John le Carré style espionage thriller and it turned up shortly before I went to Memorabilia...and found it for a POUND. And there were THREE copies. Bastards...

Anyway, my hope of nabbing any of the Prague books wasn't fulfilled but I took a punt on a few other discoveries. I picked up three albums for a quid each (so even if they were terrible, it's no major loss at that price) and another three Humanoids hardbacks for £3 each.

I haven't read any of the Humanoids stuff yet (two works by Enki Bilal plus another one I picked up as the art was nice, reminiscent of Frank Quitely) bu the other three have all been well worth the pound. I've been wanting to sample the work of Hermann (the creator of Jeremiah, later turned into a TV series starring Luke perry that ran for two years) and the Abominations collection of horror stories was lightweight but I enjoyed them, so feel that I may return to his work at some point. Companions of the Dusk was the first instalment of a medieval series that never saw the later volumes translated (as far as I can tell), again lightweight but enjoyable.

The best of the ones I picked up was Billy Budd, KGB. It was still shrinkwrapped (from 1991!) so I couldn't sample the art but for £1, I took a chance and was glad that I did. A collection of three albums, this follows the indoctrination of a mysterious orphan into a sleeper agent programme devised by the newly emerging KGB. Things go awry after the agent has been living undercover for a while before ending in a psychologically symbolic manner rather than what you would expect. Really interesting album and I only realised later that I'd already come across artist François Boucq's work as I have one of his Bouncer (a Western, not a Neighbours tie-in) albums.

Let's hope the Humanoids is as good as these bargains...

Bank Holiday Stuff






Well, I had a list of eight things to do this weekend, and even with a day lost to babysitting I still managed to complete 6 of those items. Unfortunately, I started the seventh, a page of inks for Too Much Sex and Violence and gave up pretty quickly. The pens I was using are on their last legs and I can't get the control I wanted and quickly cocked up the inks. Together with a new idea for the last two panels, I may start over from scratch. I'll try and get the other page completed first to build my confidence back up again before trying another pass at it.

Anyway, here's the constipated inks along with a few other bits in various stages...

Wednesday, 4 April 2012

Updates!



Two tweaked versions: a glossier sheen to Polaris and a recoloured Phoenix (tweaked from a rescanned version so resolution's not 100%)...

Monday, 2 April 2012

The Medusa Touch


As threatened, a colour version of the Medusa pic posted previously, also working on a coloured Phoenix...